Recently, during the years many branches as a form of art-cultural Heritage in North Bali induced by mass-culture art of South Bali. One proof of this can be seen with the naked eye is the art of architecture. If we look, we can say almost none of the new buildings that use the style of carving North Bali today. Cause, if traced by just taking things easy, fading sculpturing North Bali, due to a combination no other few things, among others:

YPWBBU has divided the Work Program and Program of Micro-Macro Programme. Macro program is a translation of "ideology" Foundation as part of its strategy is to achieve the organizational goal. While the Micro Program more leads to smaller coverage primarily addressed to the preservation of cultural arts as a major element in North Bali Cultural Heritage.

YPWBBU primary purpose is as follows.

1. Conducting research and development of socio-cultural wealth, which is the valuable heritage

2. Giving consideration to the government and society in relation to heritage preservation efforts for the socio-cultural development of community welfare

3. Preserve the cultural treasures of ancestors, both the visible (tangible) or invisible (intangible)

4. Managing the entire cultural heritage of the ancestors as a cultural asset that is priceless

5. Documenting the cultural heritage of ancestors in the form of a museum or other forms

6. Develop an information network on cultural heritage preservation is widespread ancestor at the national, regional, and international

7. Designing educational programs in order to preserve ancestral heritage

Cultural Heritage Preservation Foundation of North Bali (North Bali Cultural Heritage Trust), hereinafter abbreviated as YPWBBU was established on June 12, 2003 based on Notarial Deed No. 2008 dated Foundation June 12, 2003 and the Decree of the Minister of Justice and Human Rights Republic of Indonesia No. C-100 HT .01.02. Th.2003 September 9, 2003. As stated on the front, the foundation was incorporated as the forerunner to the establishment of the Museum of Buleleng by a group of observers of the culture. Same cultural observer groups agreed to further establish this foundation in order to widen its action "ngayah" - devoted